This essay is an attempt to study the literature devices in Khaghani"s Divan
which are used widely and repetition of the morpheme is its major constructive
element. At first, the issue which is put on the sharp focus is that all the issues
regarded as literature devices are in deed some kinds of artistic repetition or
phonetics because their common aspect is only the repetition of the voice used
by the poets widely, with especial skills. In the distribution and repetition
order, the poet repeats the morphemes freely when he / she sees it appropriate
in any part of the poetry but, the voices are repeated based on the specified
order in any parts of the poets in homophony, inversion, derivation, epanalepsis
etc… .In homophony, for example, the voices are repeated in parallel words. In
derivation or inversion the voices are interchanged. In epanalepsis, the
specified voices are used in especial places as the particular words. Khaghani,
with his skillfulness in language and words, have use all the styles and skills in
order to create the meaning and apparent arrangement widely and skillfully. It
should be said that the coordination of most of these methods and total
structure in considerable. The internal and figurative music can boost it.